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Content

"Critique"
by JRJ
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Next, in the
list, is drawing as a preliminary for painting. Preliminary studies
have been around for a long time. They offer an easy way to solve
complex problems before the painting starts. Painting offers enough
challenges, color mixing, value/color relationships, keeping the
immediacy of paint handling, making the difficult look easy. All
these begin with a good preliminary drawing.
Most
sketchbooks are used as a visual record. Ideas, places, visual concepts
all begin here. Most important paintings are born here. You can
keep the value relationship, interesting details and personal notes
or planning ideas about a painting there. Paintings are authenticated
this way, "Does it appear in the sketch books or preliminary
drawings?" |
Seeing

"Venus of Willendorf " |
The
last purpose we will consider for drawing is as a preliminary for
sculpture. Preliminary studies for sculpture have been around almost
as long as sculpture. The Venus of Willendorf [26,000 to 22,000
BC] was probably done without a preliminary sketch.
Sculpture
provides other challenges, accurate three dimensional proportion,
surface texture, making the transfer from 2-D to 3-D. Sculpture
requires a good preliminary drawing or set of drawings.
For
the sculptor sketchbooks are used as a visual record of the model.
It takes the place of keeping the model present during the entire
sculpture process. They are more closely linked to the sculpture
process than even painting preliminaries might be. The sculpture
doesn't proceed without them.
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| Spatial
Drawing |
Drawing can replicate an illusion of depth, provide additional information
for another purpose (painting, sculpture, installation and many
others) or provide an end in itself. |
In
Class
assignments
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1
- 40 minute drawing -- Composition gesture, value / mass
building, then detail - a fully developed drawing. Be conscious
of the sequence form, and make the drawing interesting. Start with
the same setup - cloth covered box, when we have all brought it
up to a near finished level we introduce a new element and all drawings
must accomodate the change. [Designed to make us flexible enough
to make changes when we need them, when the drawing or composition
warrants change.] |
Homework
Assignment |
Assignment
in addition to weekly sketchbook drawings:1
Drawing - "2 point perspective drawing of a room
with a window" |
| Footnotes:
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Bibliography
- Edward
Hopper -- by Edward Hopper, Lloyd Goodrich
The
Notebooks of Leonardo Da Vinci (Volume 1) by Leonardo Da
Vinci
Michelangelo
Life Drawings by Michelangelo Buonarroti
Old Master Life Drawings: 44 Plates by James Spero
(Editor)
Links - ArtLex
Art Dictionary: http://www.artlex.com/
Donato Giancola:
http://www.donatoart.com/galframeset.html
2 pt perspective
http://www.actionscript-toolbox.com/samplemx3dbox.php
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Links:
for class notes www.jonraderjarvis.com/classes.htm
and email contact address jrj@jonraderjarvis.com
© 2006 Jon Rader Jarvis, all rights reserved |
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