| Class
8 |
November
5 , 2003 - student drawings |
| History
|
Once
the problem of accuracy has been addressed, the next consideration
is composition - the composition of the drawing as a whole. Make
every part of the page work - sometimes called activating the space.
This can be accomplished by: drawing or painting evenly on every
part of the image, bringing the image up evenly in all parts in
layers or waves paying attention to the smallest part of the image
and giving it equal attention that you pay to every other part.
The next consideration
is expression. What is the message of that image, what did you intend
and did it work?
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Drawing
Hints :
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Notes:
The
next consideration is expression. What is the message of that image,
what did you intend and did it work? By the pose, the light and
dark pattern, the captured expression, the gesture of the body,
we can capture the mood of a particular subject. This usually means
a variation from the formal full face, profile or three quarter
view. Sometimes the slightest variation can make a great deal of
difference. Taking the time to choose the pose - the position of
the model and view point of the artist is the best way to start.
You can't be
a tyrant to a subject or subjects and expect them to provide that
winning smile. The artist must be a diplomat and entertainer at
the very least. To put a model or subject at ease is an art in itself.
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| Process
|
The
images are becoming more accurate with each drawing. More than one
observer has been astonished that this is a beginning class. Try
to address the entire composition by working evenly in layers or
waves - bringing the entire composition to a finish all at once.
Expression
means how you handle the materials, how you place them on the page,
how you make marks, the fluid motion of the contour line, and the
pose of the model. Keep all these things in mind, and you begin
to see the problem of portraiture, and why it is so highly valued.
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Practice
|
In-Class
work: Draw
3 - 5 minute warm up drawings of the subject - 1 or 2 fully developed
drawings - try to capture a likeness - be conscioius of the whole
composition including negative space be conscious of your mark making.
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| Homework
|
Homework
Assignment in addition to weekly sketchbook drawings:
Due November 5, 2003, -
Final
Drawing self-portrait preliminaries
as homework
|
Bibliography
|
Composition
in Art
-- by Henry Rankin Poore
Design & Composition Secrets of Professional Artists:
16 Successful Painters Show How They Create Prize-Winning Work --
by International Artist (Editor), et al
Richard Diebenkorn
-- by Gerald Nordland, Richard Diebenkorn
Life, Paint and Passion: Reclaiming the Magic of Spontaneous
Expression by Michelle Cassou, Stewart Cubley
Art As Expression by Henry W. Peacock
The Art of Encaustic Painting: Contemporary Expression in
the Ancient Medium of Pigmented Wax by Joanne Mattera
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| Links |
Links:
Sargent
Murals at the Boston Public Library Harvard
University Art Museums |
| |
Links:
for class notes www.jonraderjarvis.com/classes.htm
and email contact address jrj@jonraderjarvis.com
© 2003 Jon Rader Jarvis, all rights reserved |