| Class
7 |
October
29, 2003 - student drawings |
| History

Sargeant - A Man Reading
wash drawing
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As
with most drawing disciplines. Portrait drawing has more than one
possible purpose. It can be a simple sketch, a passing image that
catches the mind's eye and causes us to want to capture it on paper.
It can be a preliminary for another work, painting or sculpture.
It can stand alone as the end product of the effort. The portrait
artist is welcome at a place and time when the photographer is not
(formal gatherings, a Museum, or in court). It is also more welcome
by those who dislike having their picture taken. To draw a portrait
is to spend time studying a face in a focused manner and in a highly
conscious state. If you would commit a face to memory, draw it.
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Drawing
Hints :
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Notes:
Now
is a good time to become conscious of mark making. The stroke size
direction and length is important to the whole. The next step after
accuracy is mark making. Tell the story with the manner in which
you make the strokes. Don't be too quick to erase or blend the marks
out of existence. Ask each time, "Does this benefit the work?"
Remember to ask and the work will benefit.
There is more
to mark making than right or left handed bias. Practice and make
an effort to provide an intentional pattern or stroke that is still
there in the finished work. the drawing will be richer and more
interesting.
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| Process
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In
drawing from the model we have begun to see, understand and better
represent the image on the page. There is a definite advantage to
working with the same face several times. Remember this when you
would do portraits in the future.
Take the time
to do several preliminary sketches - to become acquainted with the
face as you warm up your hand and become accustomed to the person
who is your subject. the subject will be more at ease after a few
sketches, and settle down into a more natural pose. |
Practice
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In-Class
work: Draw
3 - 5 minute warm up drawings of the subject - 1 or 2 fully developed
drawings - try to capture a likeness - be conscioius of the whole
composition including negative space be conscious of your mark making.
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| Homework
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Homework
Assignment in addition to weekly sketchbook drawings:
Due November 5, 2003, -
thumbnail sketches for your self-portrait.
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Bibliography
|
Mount,
Charles Merrill. John Singer Sargent: A Biography.
Rev. ed. New York, 1969.
Ormond,
Richard. John Singer Sargent: Paintings, Drawings, Watercolors.
New York, 1970.
Ratcliff, Carter. John Singer Sargent. New York,
1982.
Hills, Patricia, et. al. John Singer Sargent. Exh.
cat. Whitney Museum of American Art, New York, 1986.
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| Links |
Links:
The Frye Museum The
Seattle Art Museum |
| |
Links:
for class notes www.jonraderjarvis.com/classes.htm
and email contact address jrj@jonraderjarvis.com
© 2003 Jon Rader Jarvis, all rights reserved |